Why we shouldn’t fear MOOCs

We are at a significant crossroads in higher education, in the liberal arts especially. A staggering economy for graduates combined with public outcry about high tuition and student loans is all bringing the value of a liberal arts education into question: a perfect storm. What’s most disturbing is a lingering doubtful perception about the return on investment made manifest by many media sources, occasionally influencing elected officials to poke fun at the arts and humanities. While many lament the advent of MOOCs, online learning has been around for nearly two decades. It’s yesterday’s news. But as Michael Roth, president of Wesleyan, has elegantly written, the liberal arts DO matter now more than ever. So the current promulgation and growing abundance of freely available content is a powerful incentive and opportunity to re-visit and re-invigorate traditional entry-level curricula in new fruitful directions. History 101 can shed the first 4 weeks of materials, mostly review content that’s easily flipped, and develop new, higher quality activities in class.

Beyond the hype, at the core of MOOCs, especially connectivist MOOCs, is a genuine community sharing of open resources, an extension of the historical mission of 20th century public libraries with print publications, to connect citizens with electronic access to assets of knowledge.  The real value of open online learning is that it has solved the access issue for knowledge-thirsty netizens around the world. There’s a subtle efficiency at play here. What’s to come? Motivated self-directed learners will find ways to imbibe introductory level course materials that will push faculty to redesign richer learning goals in first year seminars. These future students will be there, and we want to attract them. It’s an exciting time for Ed Ttech folks, especially those of us just getting started in earnest with blended learning efforts, to revisit why we used technology in the first place, namely to assist and augment sound instructional design. Open online courses will not destabilize the foundation of higher education. It’s natural to be fearful at first, and it’s even healthy. The natural instinct of self-preservation brings out the best in everyone. But as we let go of this panic, there is much to reflect and build on. As George Siemens points out in a recent interview:

MOOCs are not replacement models. They don’t replace the existing university systems. They augment it and help those universities become more relevant in the digital space. We’ve known in online and distance learning for 20 years or more that students who are at risk, you can’t just give them access. There have to be support systems in place that help those students to succeed.

Not to fear, the ominous specter of online learning, free or otherwise, will not impact the tremendous value of personalized, meaningful relationships between faculty expert guides and students in our classrooms. The abundance of open materials reveals that content is no longer king; relationships and networked connections between faculty and students matter much, much more. As Harold Jarche shared on Twitter:

Relationships cannot be automated; drones and droids won’t even come close. What’s certain, some schools are going to close; but as history will show, institutions that collaborate around the sharing of knowledge and resources with an eye toward the distribution of course redesign efforts have much to gain.

ETMOOC assignment #1

Hello! My name is Ben Harwood. I’m looking forward to #ETMOOC, the massive open online connectivist course, which begins today. Many thanks to Alec Couros, Cogdog and other stellar and generous colleagues who are making ETMOOC happen auto-magically for me and other open online participants. Please listen to my SoundCloud recording in which I introduce myself to my colleagues and classmates. In the recording, I mention my homework assignment from last week’s MOOCMOOC.2013/365 The Abominable Snowman

All the best in 2013!

MOOCMOOC Homework assignment

I participated to some degree in the week-long MOOCMOOC. Here is a link to my Homework assignment for Day 2 in which participants were asked to either record a video clip or xtranormal animated visual that captures one’s thoughts about connected and networked learning and MOOCs in general. That was certainly how I interpreted the assignment perhaps mashing it up as I went along. So I opted for the xtranormal assignment. What a great tool! You can read more about MOOCMOOC and the Day 2 assignment.

GIF’in out in the New Year

Over the holidays and between trips to visit friends in New York City and Rhode Island, I continued discovering how much fun it is to explore the creative power of generating animated gifs in the little free time I have on my hands. This is my take on the DS106 assignment, “Summarize a movie with Animated GIFs to tell the story of a movie.” I’ve taken a slight deviation from the directions using three movie trailers that feature protagonists finding their way forward in times of great challenges. These examples hail from quasi cult films that take place in the NYC metro area. I was headed to Manhattan the next day so must have been in a New York state of mind.

Working with mainstay DIY tools like YouTube, MPEG streamclip and GIMP, I’ve gotten the process down to the point where it comes naturally without referencing the tutorial. Downloading the video clips can be accomplished in a number of ways. I opened them in MPEG streamclip and extracted the relevant morsels. Exporting as image sequences, I opened the jpeg files as layers in GIMP, scaled and exported as looping animated gifs. Voilà, c’est tout! 2012 has been dubbed the year of the gif. For many, it’s also been a year filled with great odds, great misfortune yet hope and dignity shine through. Man versus man, man versus the machine, humans outsmarting algorithms.

On the Waterfront - Trailer [1954] [27th Oscar Best Picture] 28

So during the height of McCarthy’s witch-hunts, Elia Kazan struggled with a wave and shadow of reproach following a near career-ending and humiliating inquisition. In On the Waterfront, Marlon Brando takes the high road and highlights one who will not sell out, no matter what. Could 2012 be the year of selling out as MOOCx’s spin-off and the steady stream of anti-education venture capital flows out of Silicon Valley?

Escape From New York Original 1981 Trailer 25Next up, in Escape from New York (1981), Kurt Russell, in the slithering role of Snake receives a bone-chilling 24-hour deadline to rescue the US President and a double-secret encrypted recording (on a cassette tape no less!) from the hands of the Duke and his army of thugs. One of my favorite character actors, Ernest Borgine, shepherds Snake to the other side moments before the jugglar time-bomb detonates. Snake lives, the President lives, and the Duke perishes. Only I could spin it this way, but is the battle between Snake and the Duke emblematic of the intensifying conflict between proponents of open educational resources and the digital publishing industry?

Lastly, Tony Manero (John Travolta) steals the floor and busts out some well-honed disco moves in Saturday Night Fever. In the wise words of Casey Kasem, this gif is a reminder to “keep your eyes on the stars and your feet on the ground.”
StayAlive 067

Happy New Year and keep on dancing in 2013.